While he appeared to claim sole authorship in 1969, he continued to change his tune in later interviews. The “pressure” was probably due to this being an attempt at writing their next single, which both John and Paul admitted in a 1966 interview that the composition was "forced." However, when asked later that year to re-confirm this, they denied it. The mention of it deriving from a “folk song” suggests it as another attempt at mimicking Bob Dylan, at least in its early incarnation. It was very hard going, that, and it sounds it.” Since the song was recorded in October of 1965, its genesis must have begun in September of that year as written entirely by John. In 1969 he stated: “’Day Tripper’ was (written) under complete pressure, based on an old folk song I wrote about a month previous. “Day Tripper” was a subject John Lennon talked about much in interviews, comments that give us a good amount of detail regarding its writing. While most parents were suspicious (their suspicions probably correct) their kids didn’t really care. But with the undeniable drive of the winding repetitive guitar riff that propelled the song along with the trademark Beatles harmonies, the mysterious subject matter just added to its allure. This unknown territory was even more solidified with the December 1965 release of “Day Tripper,” a title that left most fans scratching their heads. “ Can’t Buy Me Love” and “ A Hard Day’s Night” continued the trend, eventually delving into unknown territory, most record buyers wondering what exactly a “ Ticket To Ride” was anyway. #ROAD TRIPPER BAND HOW TO#“ Please Please Me” is a good example of The Beatles knowing how to use a play on words, this creating enough curiosity to land them their first chart topper in Britain. However, a title such as “ Sunshine Superman,” “Daydream Believer” or “Get Off My Cloud” might pique your interest enough to purchase it. “What it’s all about, regardless of eventual use, is the imagery that the title conveys,” Mark Stefani explains, adding “it immediately conjures up a vision of what the substance of that project will be.” Imagine, for instance, picking up a new release and looking at song titles with generic names such as “I Love You” or “Be True To Me.” They probably wouldn’t create much curiosity for hearing the song and you’d probably put it back down. One aspect of songwriting that John Lennon and Paul McCartney instinctively learned early on, and improved upon as time progressed, was making the perfect choice for a song title.
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